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Felicien Rops
Frontispice des Diaboliques de Jules Barbey d'Aurevilly
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ID: 94249
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Felicien Rops
Belgian Symbolist Engraver, 1833-1898
was a Belgian artist, and printmaker in etching and aquatint. Rops was born in Namur in 1833, and was educated at the University of Brussels. Rops's forte was drawing more than painting in oils; he first won fame as a caricaturist. He met Charles Baudelaire towards the end of Baudelaire's life in 1864, and Baudelaire left an impression upon him that lasted until the end of his days. Rops created the frontispiece for Baudelaire's Les Épaves, a selection of poems from Les Fleurs du mal that had been censored in France, and which therefore were published in Belgium. Rops's association with Baudelaire and with the art he represented won his work the admiration of many other writers, including Theophile Gautier, Alfred de Musset, St phane Mallarm, Jules Barbey d'Aurevilly, and Josephin Peladan. He was closely associated with the literary movement of Symbolism and Decadence. Like the works of the authors whose poetry he illustrated, his work tends to mingle sex, death, and Satanic images. Related Paintings of Felicien Rops :. | Illustration du livre d'Octave Uzanne, Son altesse la femme - Hors texte en face de la page 22. | Pornocrates | The Beach (nn02) | Satan Sowing Seeds | Frontispice des Diaboliques de Jules Barbey d'Aurevilly | Related Artists: Giuseppe Maria Crespi1665-1747
Italian
Giuseppe Maria Crespi Locations
1747). Painter, draughtsman and printmaker. His religious and mythological works are distinguished by a free brushstroke and a painterly manner. He also painted spirited genre scenes, which by their quality, content and quantity distinguish him as one of the first Italian painters of high standing to devote serious attention to the depiction of contemporary life. Such paintings as Woman Laundering (1700-05; St Petersburg, Hermitage) or Woman Washing Dishes (1720-25; Florence, Uffizi) offer straightforward glimpses of domestic chores in images that are startlingly novel for the period and look forward to the art of Jean-Simeon Chardin, Jean-Francois Millet and Honore Daumier Benjamin Champney (November 20, 1817 - December 11, 1907) was a painter whose name has become synonymous with White Mountain art of the 19th century. He began his training as a lithographer under celebrated marine artist Fitz Henry Lane at Pendleton's Lithography shop in Boston. Most art historians consider him the founder of the "North Conway Colony" of painters who came to North Conway, New Hampshire and the surrounding area during the second half of the 19th century. His paintings were often used to make chromolithographs that were subsequently sold to tourists who could not afford Champney's originals. He exhibited regularly at the Boston Athenæum and was a founder of the Boston Art Club
Yevgeny Lanceray1875-1946
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All the Edouard Vuillard's Oil Paintings
Supported by oil paintings and picture frames
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